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John Lyly’s Galatea tells the story of two genderfluid young people falling in love. We staged this play for Brighton Festival in May 2023 with Marlborough Productions and Wildworks. This section includes Research and development blogs, production videos, reviews of the show, production photos.

Intro to staging galatea?

Documentary: ‘Staging Galatea’. Dir. Fox Fisher.
Team: Sharon Kilgannon, Haze Johnson, Nick Virk.
My Genderation. 2023.

GALATEA REVIEWS

  • SAGE JOURNAL

    Bradley, Hes (2024). Performance review: Galatea by John Lyly. Cahiers Élisabéthains, 113(1), 118-121. (Original work published 2024) 

  • THE TIMES

    Hutera, Donald. (15 May 2023). ‘Galatea review — al fresco Tudor reboot falls flat’. The Times

  • Plays International & Europe

    Jenner, Simon. (15 May 2023). ‘“Galatea”, Brighton Festival’. Plays International & Europe.

  • THE LATEST

    Kay, Andrew (14 May 2023). ‘Galatea’. The Latest TV.

  • WEST END BEST FRIEND

    Pedro, Natalie. (18 May 2023). ‘Review: GALATEA, Brighton Festival’. West End Best Friend

  • TAYLOR & FRANCIS

    Scanlon, Harriet (2023). ‘Review of Emma Frankland and Subira Joy’s Adaptation of John Lyly’s Galatea (Directed by Emma Frankland for Brighton Festival) at Adur Recreation Ground, Shoreham-by-Sea, 17 May 2023’, Shakespeare, 20(1), pp. 119–123.

  • THE GUARDIAN

    Wyver, Kate (12 April 2023). ‘Explicitly queer and trans’: the 1580s play that inspired Shakespeare’s cross-dressing love plot’s’. The Guardian.

LEGACY PROMOTIONAL MATERIALS

Galatea, original Brighton Festival trailer. Video: Rosie Powell, 2023.

  • A trailer for the Brighton Festival world premiere of Galatea that ran 5-21 May 2023. Co-produced by Emma Frankland, Marlborough Productions, Wildworks, and Andy Kesson. 

    The video opens in darkness, and then firelight flickers. We follow a moving plume of red smoke that eventually clears, revealing two figures in a room of an old building. A tall Black person with a shaved head wears a chain-mail head piece and a long blue-black coat. They are standing next to a brown person with red and black locs, sitting on a wooden crate. This second person is wearing a white collared ruff around their neck, a red, black, and white hockey jersey, and camouflage-style trousers. The pair are sitting in front of a fire pit. A cardboard protest sign in a window behind them reads ‘No Sacrifices’. Eerie choral music plays. The word ‘Galatea’ appears over them in white lettering.

    There is a sound like thunder rumbling and the scene cuts flickers in and out between the tall person waving their arms over the fire, as if in ritual, and them standing with bared teeth and wide eyes, holding up a sign towards the camera that reads ‘The Monster Is Coming’. The words ‘Newly Adapted by Emma Frankland and Subira Joy” flash over the screen. 

    The choral music returns and the video fades to black, leaving only the show title, run dates, and supporter logos visible.