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To the left is an orange tent with a black sign reading 'Tityrus's Alchemy' in white lettering. To the right are flags and protest signs with slogans like 'No Sacrifice' and 'Protect Trans Kids'. Tall green trees in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/32041d42-dd55-4e9c-a6d8-592db654223f/DAGal002.jpg PRODUCTION PHOTOS A pink food truck, with blue trim serves five audience members, who are only visible from behind. A sign on the top of the truck in green lettering reads 'Simply Veg: Homemade Vegetarian and Vegan Indian Street Food'. A flag with a yellow sun stands against a blue sky in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/b9ef6f23-780f-4799-b91d-297dde2f2b2f/DAGal003.jpg PRODUCTION PHOTOS A white woman with brown, tied-back hair, wearing a brown jumper, black shirt, and green paisley scarf stands in a grassy field. She holds a white sign reading 'Fight the Tyrant' under a pair of menacing eyes, all in black and red lettering. She stands just in front of a cut tree branch sticking up from the ground. Fair booths and a wooden stage are visible in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/8521d0e6-50bd-4b52-8d28-85cfd9e8da45/DAGal004.jpg PRODUCTION PHOTOS The Galatea stage before the show opens. A curved wooden outdoor proscenium opens onto the grass at front. Behind the stage is a large digital display. The screen displays a local news programme, 'Shoreham Today', which is broadcasting news from 'Neptune Day' in white capitals on a blue background. The stage is surrounded by trees and caravans. It's still daylight when the show opens. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/4cb19c5e-7a81-45e4-8019-cb1b2c81b864/DAGal005.jpg PRODUCTION PHOTOS The audience prepares to watch Galatea. The front rows sit on blankets on the grass, while those further back sit on foldable camp chairs, or in raised theatre seats in the very back rows. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/c1aabe5c-0707-422c-9a1e-cc0addcc383a/DAGal006.jpg PRODUCTION PHOTOS Wet Mess, a white nonbinary performer, is dressed in their Cupid costume, a green hooded jersey with a black mesh sport vest over top. They wear sunglasses and their face is painted in a pink, blue, and white heart. They have a skullet hairstyle and prosthetic horns on their forehead. They stand ready to spin a fortune wheel in a pink fair booth. The wheel's fortunes include 'Divine Love', 'Secret Love', 'Foolish love'. Cupid They look over their shoulder at the camera with a big smile. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/abc434ed-8869-4885-9808-7c4054bf1df4/DAGal007.jpg PRODUCTION PHOTOS Galatea's Sound Designer, Kayodeine, a black non-binary person with braids, in a black top, holds a prize from Venus's fairbooth games. They are in conversation with a white person with light brown hair tied up in a bun, facing away from camera. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/925e19b3-2374-4f80-a528-83c511c8579c/DAGal008.jpg PRODUCTION PHOTOS Sophie Stone as Venus stands in her fair booth. Her hands are at her sides, holding yellow tennis balls for customers to throw at targets. Stone is a whtie woman with light brown hair, tied in a high ponytail. She wears red lipstick and has a big smile. She is dressed in a red shirt and black short skirt, over which is a pink fleece hoodie and red vest, both open at front. Teddy bears are pinned to a cord strung along the inside of the fair booth awning overhead. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/8109ebef-4ac9-4427-bf2b-578039471c08/DAGal009.jpg PRODUCTION PHOTOS Ralph Bogard, as Melebeus, stands beside the audience during the Galatea pre-show. A mixed-ethnicity, masculine-presenting person with a short dark beard and hair, Bogard wears a large black overcoat, white shirt, and black tie with a long straight silver clip. He holds a reporter's microphone and has a big grin. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/9b98399c-06de-4ed1-b2d9-1e96cdafa119/DAGal010.jpg PRODUCTION PHOTOS Charmaine Wombwell, in profile, as Eurota. Wombwell is a mixed-heritage woman in a large woollen jumper, handmade with blue and green dyed wool. She wears a headset mic. Stripes of black, grey, and white make up extend from her eyes across her temples. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/edfca827-0f79-4206-b4ce-25d9aeda3a34/DAGal011.jpg PRODUCTION PHOTOS A close up of a table laid with alchemical instruments, glasses, feathers, stones, shells,, and crystals, all cast over in an orange light. The sleeve of someone's green jacket is visible in the left side of the photo. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/94f9fefc-bd78-40d3-abca-968373e75051/DAGal012.jpg PRODUCTION PHOTOS Antonia Kemi Coker, as the alchemist Tityrus, stands inside and orange tent, holding a lit cone of incense before her face. She looks at the flame with concentration. Coker is a tall Black woman wearing a dark hat and puffy coat over a white shirt and brown workman's apron. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/222a0a4f-0e5a-481f-a583-80499e0e5f9e/DAGal013.jpg PRODUCTION PHOTOS The backlit audience is photographed from behind against the setting sun. The wooded stage and colourful flags are visible, left, and tents and caravans at right and centre. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/8fcaaf8e-0b99-4af4-902f-c0edfbb93c13/DAGal014.jpg PRODUCTION PHOTOS A silver caravan with a large sign reading 'bar' in all caps over top. The caravan is backlit by the setting sun at right. The silhouette of a server is just visible inside. Flags and fencing in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/ae5d37dd-1da9-4c18-b690-515d80ee378a/DAGal015.jpg PRODUCTION PHOTOS A group of people, dressed in resistance-fighter woodland costumes (greens and browns, tattered clothes, tie-dye, wool and fur hats, and animal face paint), stand together in front of a microphone. A caravan and trees are in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/78380950-0e59-4676-9fc7-d30e1c3ebee9/DAGal016.jpg PRODUCTION PHOTOS Nadarajah as Diana, dressed in a golden gown and antlers, stands centre stage, threatening Wet Mess as Cupid who cowers on the ground. Wombwell and Wilder stand guard on either side of Diana. The screen displays a green woodland that merges with the real trees behind the set and the evening sky. The audience is visible in the foreground. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/fc43f29f-2b1b-43e4-85ed-b3e12b5c4b19/DAGal017.jpg PRODUCTION PHOTOS The final scene of Galatea. The screen behind is dark blue and displays stars, merging with the real night sky. The word 'epilogue' in white all capital san serif text is displayed on the screen over the sky. The Galatea cast gathers on stage for the epilogue. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/07e549b9-0331-4e79-b0da-0e72120d7133/DAGal018.jpg PRODUCTION PHOTOS The Galatea cast stands in front of the audience, stretching their hands out to the caption and lighting team (out of frame), during the curtain call. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/67165f58-6e2b-4a91-b9b7-4602c43ea15c/DAGal019.jpg PRODUCTION PHOTOS Sophie Stone as Venus stands beside Wet Mess as Cupid under a pink fairground tent. Teddy bears and smiling heart soft toys hang from ropes strung along the ceiling of the tent. Stone, a white woman with brown hair tied up in a high pony tail, and wearing clothes in shades of pink and red, smiles at a visitor to the booth (who we can only see from behind). Wet Mess stands besider her, in a green jersey with a mesh vest overtop, and black and white striped pantaloons. Their face is painted in a white, pink, and blue heart. They flash a peace sign with their left hand, and hold a heart-shaped hot water bottle in their right hand. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/9cad254e-433b-4baa-9c4c-1ffb5c30e71c/DAGal020.jpg PRODUCTION PHOTOS A wire perimeter fence adorned with locks, flowers, boots and shoes, teddy bears, ribbons, and hearts in various shades of pink, purple, and red. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/ab62ebe1-3915-4889-a44e-aceea3d9d8ef/DAGal021.jpg PRODUCTION PHOTOS Sheppeard, a white man with brown hair in in yellow baseball cap and blue waterproof faces away from the camera, looking at Church, a white woman with dark brown hair, visible only in profile, with a bit of her blue and purple patterned scarf showing, and Frankland, a white trans woman with brown hair pulled back in a pony tail, wearing a red check jacket over a black and white shirt. The three are standing in conversation and Frankland is smiling at the others. Riser seats visible in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/668b4838-c972-4fd5-bc4f-bd346f6a9d1b/DAGal022.jpg PRODUCTION PHOTOS Close up of the teddy bears and love heart soft toys pinned to a cord strung up along the pink tent canopy of Venus's fairground booth. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/c9238fb9-d10f-4ddf-9b23-7bb3c03ebf25/DAGal023.jpg PRODUCTION PHOTOS Abbot, a white non-binary woman, stands holding a large protest sign that reads 'stop the sacrifice' is black capital lettering over a red background. Abbot is dressed in green trousers, brown fur-style coat, and brown military-style cap decorated with green ivy. Community chorus members in green and brown clothes stand and sit in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/cf0abcaf-af79-4f7b-be32-e074bb45f786/DAGal024.jpg PRODUCTION PHOTOS A framed sign reads 'if we don't get no justice you won't get no peace' in black capital lettering over a white background. The sign rests on the grass against a square wicker picnic basket beside a wooden planter of daisies. A bit of Diana's green caravan, painted with a large eye, is visible behind. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/465de9b8-a270-4ecb-a365-9bd029b53014/DAGal025.jpg PRODUCTION PHOTOS Arrowsmith faces the camera, with arms outstretched, yelling ferociously at the camera. Arrowsmith is a white woman with light brown hair pulled back from her face. She wears orange and purple eye shadow that stretches out across her temples. She is dressed in a dark hoodie over a plaid shirt. She is holding a can of spray paint in her right hand. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/f9115f0f-e20d-46f5-88c6-d0cbf4197403/DAGal026.jpg PRODUCTION PHOTOS Nadarajah in Diana's everyday costume: a khaki jumpsuit with green suspenders and light brown boots. Nadarajah is a brown woman with black hair. She wears dark lipstick and her brow is decorated with a face paint ornament, like a tiara with a flower. She is crowned with antlers decorated with white jewels. She sits in a wooden rocking chair, leaning back against her caravan, and resting her feet on a tree stump. Protest signs, flowers, and nymphs sitting on camp chairs are in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/c1dfcc93-ba30-48c2-9740-59f1e06c0835/DAGal027.jpg PRODUCTION PHOTOS Julian stands holding a protest sign in the Galatea pre-show. Julian, a white woman with brown hair hanging past her shoulders, smiles at the camera. She wears a khaki winter jacker over a leopard spotted jumper and black and white patterned trousers, and a fur-lined cap with ear flaps. Her face is painted with a black nose and freckles, reminsicent of an animal. Her sign says 'Let them be' in white capitals on a green background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/6881e2e4-41ab-45fb-adef-a3760ae19422/DAGal028.jpg PRODUCTION PHOTOS Nadarajah stands, her back to the camera, so we just see her dark hair and bejewelled antlers against a grey sky. Galatea cast members and set are visible but out of focus in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/23defd5e-a99d-4ca3-a349-e5bec606794d/DAGal029.jpg PRODUCTION PHOTOS Subira Joy, a brown trans person, sits in the audience riser seating. Joy wears a black hooded jacket over a blue check shirt and a green durag. They are in conversation with another person who is standing facing away from the camera, wearing a black jacket and dark trousers and hat. Joy smiles widely. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/92d70962-59b5-458f-ba7e-51163f7ebbcb/DAGal030.jpg PRODUCTION PHOTOS Members of the Galatea community chorus standing together holding protest signs. The person in the centre holds a tall sign that reads 'BSL is ours' in blue and black lettering against a white background. The community members are dressed in flowing scarves, slouched hats and beanies, fur-style accessories, and shirts with various patterns. Some of them have facepaint, as if to blend into a woodland landscape. Trees and caravans in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/4b98f748-bb1c-4f50-875f-a91ef0c9eb3e/DAGal031.jpg PRODUCTION PHOTOS Coker as Tityrus, is seated in her orange tent. The camera frames her so we see her as from outside the tent. Only her upper body is visible. Her hand raised up in an expressive gesture. She looks up at her hand with an intense expression. She wears a dark puffer coat and knitted beanie. At left, Tiwo, a brown trans person with locs, peers from around a corner of the tent at Tityrus, a sceptical expression on their face, like a child judging their parent. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/f81c3c80-8fee-4c0d-b20a-316905b3f15f/DAGal032.jpg PRODUCTION PHOTOS Nadarajah, a brown woman with black hair, sits in a rocking chair in her Diana costume. She wears a khaki jumpsuit with dark leather suspenders and belt. A tiara-style ornament has been painted on her brow in white or silver makeup. She is crowned with a set of antlers, decorated with white jewels. Behind her is a caravan painted with a green face and large open brown eye. Her hands are in her pockets and she gazes out contemplatively. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/bd1470c0-0ec0-4ae2-a9e6-345b08b42aff/DAGal033.jpg PRODUCTION PHOTOS Stone, a white woman with long brown hair tied up in a high ponytail, is photographed at a dramatic angle. She wears a light pink fleece over a dark pink shirt, and a dark pink hooded bubble vest over her entire outfit. She has red lipstick and pink eyeshadow, a small heart patch under her eye, and gold hoop earrings. She looks up into the sky and her mouth is slightly open in an intense expression. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/8de4ad6e-3581-42f4-8619-a24c12e63302/DAGal034.jpg PRODUCTION PHOTOS Stone stands centre stage, her arms held up to the sky, and a silly expression on her face. Behind her, the stage's large display screen is lit up in purple and the captions read 'Don't mind what the weather's doing, this is England isn't it?!'. Stone is a white woman with long brown hair tied up in a high ponytail. She wears a light pink fleece over a dark pink shirt, and a hooded dark pink bubble vest over her entire outfit. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/2df862a0-ba6d-4c77-b955-6efd184ea4ca/DAGal035.jpg PRODUCTION PHOTOS Coker as Tityrus stands at the end of the wooden thrust part of the stage. She leans on a stick over Tiwo, as Galatea, who is seated on the the stage. Coker is a tall black woman dressed in a knee-length dark olive puffer coat, black wool beanie, and black boots. We can just see her colourful trousers under her coat. She wears a stern expression as she hands black and white patterned clothes down to Galatea. Tiwo, a brown trans person with black and red locs, is dressed in a colourful patterned skirt, yellow Oxford shirt, and black and white patterned tie, with a long dark coat over their whole outfit. They look up at Coker with an expression of disgust. Being, the caption display screen reads 'put this on'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/ee0dcda8-c20e-4e1d-93d0-7f67e84fba1f/DAGal036.jpg PRODUCTION PHOTOS Arrowsmith, a tall white woman with light brown hair tied back in braids, stands on the Galatea stage near the upstage caption display screen. She is dressed in a dark green jacket over a green jumper and red check shirt, dark jeans, and boots. Her clothing is tattered and grunge style.She is captured signing a speech in BSL. Behind her the display screen reads 'I know these woods are to me so well known that I cannot stray though I would'. In bright green letters below that, as if graffittied on, are the words 'no sacrifices'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/0e0f9205-0a7d-485a-9385-24c64e40c42a/DAGal037.jpg PRODUCTION PHOTOS Arrowsmith, a tall white woman with light brown hair tied back in braids, stands next to Wet Mess as Cupid on the Galatea stage. She is dressed in a dark green jacket over a red check shirt, dark jeans, and boots. Her clothing is tattered. She is looking out at the audience with a scornful expression and pointing back towards Cupid mockingly. Wet Mess as Cupid wears a green long-sleeved top with a black mesh jersey over top, and a rugby chestpad decorated with punk stickers. They have black pantaloons with three white stripes down each side, white sports trousers, pink boots and white shinguards. Their face is painted in a white, blue, and pink heart and they have small prosthetic horns on their brow. They have a green teddy bear hooked to their trousers and hold a toy crossbow armed with a heart-tipped arrow. They throw their head back in a laughing expression. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/73a05647-023b-421c-8761-489a48d476b2/DAGal038.jpg PRODUCTION PHOTOS Wet Mess, a white nonbinary person, cuts a caper as Cupid. They are olding their right leg up with their hand, their left hand behind their head. They wear a green long sleeved top with a black mesh jersey over top, and a rugby chestpad decorated with punk stickers. They have black pantaloons with three white stripes down each side, white sports trousers, pink boots and white shinguards. Their face is painted in a white, blue, and pink heart and they have small prosthetic horns on their brow. They have a green teddy bear hooked to their trousers. Behind them the display screen swirls funky blues and purples and pinks. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/6bbe694d-a0f4-4619-9f3a-af4e1fb2e723/DAGal039.jpg PRODUCTION PHOTOS Arrowsmith, a white woman with light brown hair tied back in braids, sits on the end of the stage, with a long-suffering expression. She is dressed in a dark green, jacket over a check shirt, dark jeans, and boots. Her clothing is tattered. Behind her, Wet Mess as Cupid holds their hands up to to their head as if in mocking agony. They roll their eyes to the sky and have their mouth wide open and tongue sticking out. They wear a green long-sleeved top with a black mesh jersey over top, and a rugby chestpad decorated with punk stickers. They have black pantaloons with three white stripes down each side, white sports trousers, pink boots and white shinguards. Their face is painted in a white, blue, and pink heart and they have small prosthetic horns on their forehead. They have a green teddy bear hooked to their trousers. Both actors are photographed at an angle. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/55b4b898-8941-4423-bf9a-d63409106a18/DAGal040.jpg PRODUCTION PHOTOS Stone as Venus stands facing and nearly pressed up against Jacobs as Neptune. Stone is a white woman with long brown hair tied up in a high ponytail. She wears blue jeans and a light pink fleece over a dark pink shirt, and a hooded dark pink bubble vest over her entire outfit. Jacobs, a tall white man with grey hair and neat mustache and beard, is dressed in an fashionable light grey suit and white Oxford shirt, with a dark tie and suspenders. Venus appear to have just taken off Neptune's suit jacket and brimmed hat, and is holding them in her hands as they stand together in an intimate pose. A footlight shines from behind them. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/f8d9ba87-ce0c-4429-a071-af82283ce30b/DAGal041.jpg PRODUCTION PHOTOS Jacobs as Neptune takes the arm of the reluctant Peralta as Ralph. Peralta is a masculine presenting non-binary brown person. The are dressed in dark trousers and boots, a long white shirt and dark green jumper with a wide collar, and a light jacket over top. They wear a dark beanie with a white striped brim, and a silver chain necklace. They are holding an orange lifejacket and looking down at Jacob's hand on their arm in dismay. Jacobs is a tall white man with grey hair, beard, and moustache. They are disguised in long yellow macintosh and black baseball cap. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/bf766bdd-ee41-4877-b988-73f94b8491a5/DAGal042.jpg PRODUCTION PHOTOS Bea Webster, as Hebe. Webster is a Scottish-Thai nonbinary person with glasses. They are dressed in a light blue woollen jumper with white and black buttons. They wear a dark jacket over top, and dark green trousers. They have a green, wide-brimmed, bucket-style hat on their head, with the brim folded up at front. They are holding a tablet in their right hand and their left hand is holding up one finger, as if making a point. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/dd07b8d4-c5be-4257-8436-38bcc7ecfcae/DAGal043.jpg PRODUCTION PHOTOS Sue Maclaine, a white, femme-presenting person, with grey hair hanging down just passed her shoulders, is dressed all in shades of green, inclduing insulated trousers, knee-length coat, short jacket, jumper and wool beanie. They are looking at the stage which is just out of shot, and in the middle of signing. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/115f5bcf-88f2-41d1-ab27-601c8b280c6e/DAGal044.jpg PRODUCTION PHOTOS Steve Jacobs dressed as Neptune. A double breasted sea-blue overcoat is buttoned over his grey suit, white Oxford shirt, and dark patterned tie. He wears a grey fedora on his head. Jacobs is a white man with a short grey mustache and beard. He has a focussed and stern expression. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/2efe27d1-2635-4522-9bc4-d5b25a41ad88/DAGal045.jpg PRODUCTION PHOTOS Wombwell, a mixed-heritage woman with an afro stands on stage. She's looking at something out of frame, her mouth open in a shocked or horrified expression. She waves her hands over her head. She is dressed in ripped jeans, boots, and a hoodie, over which she has layered thick handmade woollen scarves in black and white and green and blue. In the distance behind her, slightly out of focus, Wet Mess stands as Cupid, wearing a scowl. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/dc732078-d5f3-4f44-b13d-c04bcaa7890b/DAGal046.jpg PRODUCTION PHOTOS Teague, as Peter, flexes their arm muscles for Peralta as Ralph. Teague is a brown nonbinary person. They are dressed in a fun matching purple and yellow patterned button-down shirt and trousers. The shirt is open over a grey t-shirt. Their sleeves are rolled up and they wear a dark bucket hat on their head, and bead bracelets and necklaces. They are smiling as Ralph feels their biceps. Peralta is a brown nonbinary person with a dark beard, a dark wool beanie with white stripe on the brim, and light jacket. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/14a52f5f-7190-403c-92d3-8bef1255e2ad/DAGal047.jpg PRODUCTION PHOTOS Coker as Tityrus the alchemist. Coker is a tall brown woman. She is dressed in an open kaftan and trouser set in colourful blue, yellow, and red pattern. Over this she wears a stained brown workman's apron, tied with a white cord. She has a dark beanie on her head, and uses a stick to support herself. She stands in a commanding upright pose, and looks at something out of frame with a stern expression. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/7fc12994-a954-4cdf-bf33-238d36b6a07d/DAGal048.jpg PRODUCTION PHOTOS Tiwo, a brown trans person with black and red locs, is dressed in masculine attire: dark loose jeans, a red and black sports jersey over a black and green hoodie. Layered over these are a large black and white patterned jacket and blue puffer vest. They stand on stage, their hands clasped in front of them, and their head lifted to the sky in a posture of wanting. Behind them, the caption screen reads 'let me follow him into the woods'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/9245ecb1-0d28-4d59-9f07-2398d1cc7e36/DAGal049.jpg PRODUCTION PHOTOS Wombwell as Eurota and Arrowsmith as Telusa, face each other on opposite sides on the central thrust stage. Wombwell, a mixed-heritage woman with an afro, signs something with her hands while pursing her lips as she is kissing. She is dressed in ripped jeans and a hoodie, over which she has layered thick handmade woollen scarves in black and white and green and blue. Across from her, Arrowsmith points accusingly, her mouth open in almost delight. Arrowsmith is a white woman with light brown hair tied back in a braid. She is dressed in a dark green jacket over a green jumper, check shirt, and dark jeans. Her clothing is tattered. On the caption display screen behind them is out of focus text that reads 'If thou be in love it shall be cured'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/d995695b-2573-4813-86fe-348ccda17587/DAGal050.jpg PRODUCTION PHOTOS Wilder is a brown transmasculine person with short dark hair. They have their hands stretched out to the side in a swaggering pose. They are dressed in a check shirt over a green and black striped polo. Over this they have layered a dark zipped jacket. They have loose dark trousers with chains hangin from the belt. They have purple heart sunglasses and dark lipstick. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/18d2b211-2902-4c9d-83dc-8d5c5cfcebdc/DAGal051.jpg PRODUCTION PHOTOS Seelochan as Phillida and Tiwo as Galatea hold hand as they run through the grass in the centre of the Galatea stage. Behind them, a large screen displays a woodland crowded with trees. Seelochan, a mixed-race, genderfluid person, wears a fitted blue cap, and layers of button-down striped shirts, one purple and one white, over a light grey hoodie. They wear a light brown jacket over this, and baggy blue jeans. Tiwo, a brown trans person with black and red locs, is dressed in masculine attire: dark loose jeans, a red and black sports jersey over a black and green hoodie. Layered over these are a large black and white patterned jacket and blue puffer vest. Both wear alarmed expressions. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/e5f68644-a840-438b-adae-e52642902d4c/DAGal052.jpg PRODUCTION PHOTOS Nadarajah, a brown woman with black hair loose around her shoulders, is dressed in a full-length white nightgown. She stands on stage, addressing her nymphs, who are just visible on the ground beside the stage. She stretches out her right hand towards them, in the middle of signing a speech. She smiles tightly. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/625d62e6-f6ca-4ded-bcfa-e7f7c3c9875a/DAGal053.jpg PRODUCTION PHOTOS Nadarajah, a brown woman with black hair, stands imperiously with her arms stretched to the sides, as Wombwell ties a floral skirt around her. Nadarajah wears white jewelled antlers. Wombwell is a mixed-heritage woman in torn jeans, light jacket, and bulky green woollen scarf. Both women gaze down with calm anger at Wet Mess as Cupid, who is sitting on the ground, with only their green wings visible from behind. On the display screen behind them is a forbidding green woodland schee and the caption 'I am conqueror of your loose and untamed impulses'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/8e7dd195-cc51-44be-aab4-f9428f84b511/DAGal054.jpg PRODUCTION PHOTOS Jacobs as Neptune holds aloft a large wooden trident. Jacobs is a white man with a short grey mustache and beard. He wears a double breasted sea-blue overcoat over a grey suit, white Oxford shirt, and dark patterned tie. He has a grey fedora on his head. he looks off stage, his mouth, and his bottom teeth visible as his jaw juts out in an expression of rage. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/3460f422-9399-45ff-a546-35bc6b9213bb/DAGal055.jpg PRODUCTION PHOTOS Tiwo and Seelochan stand by a silver metal caravan with a hot pink interior. They stand close together, holding hands and facing each other in conversation. Tiwo is a brown trans person wearing a green bandanna over their hair. They are dressed in masculine attire with green and white loose trousers, and short light-blue puffer vest over an oversized black and white hoodie. Seelochan is a mixed-race, genderfluid person in a fitted cap, purple button-down striped shirt, light brown jacket, and baggy blue jeans. A folding camp chair decorated with peaches stands behind them. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/5c6ce9db-f46e-4746-a6d9-c5c27581945b/DAGal056.jpg PRODUCTION PHOTOS Two guards in dark blue jumpsuits face each other, ceremonially holding aloft lit torches of fire. Blurry in the distance, Hebe enters, dressed in a white robe, under the digital display that forms the stage backdrop. Neptune is visible almost in silhouette on the top of the stage, and stoops to watch Hebe's entrance. The display is lit up in grey, and smoke swirls around everyone. The captions read 'art thou the sacrifice'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/c7103e6e-397e-4d39-aa55-d1e4a7998f31/DAGal057.jpg PRODUCTION PHOTOS Webster, a Scottish-Thai nonbinary person, dressed as Hebe in a full-length white dress with eyes embroidered on the bottom hem. Their dark hair hangs loose around their shoulders, and they have a crown of yellow flowers on their head. They stand in a dramatic pose, right arm stretched out and left held up to their chest. A shackle and chain on their left wrist. Their head is thrown back in an anguished expression. Smoke swirls around them. Behind them the digital backdrop displays captions reading 'Farewell the sweet delights and welcome not the bitter pangs'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/e690dc1d-620e-4e89-a82c-dffaf038f489/DAGal058.jpg PRODUCTION PHOTOS Webster, a Scottish-Thai nonbinary person, dressed as Hebe in a full-length white dress with eyes embroidered on the bottom hem. Their dark hair hangs loose around their shoulders, and they have a crown of yellow flowers on their head. They stand upright. Webster and Hebe are both Deaf and are signing a farewell speech. Their right hand is held on top of their head, and their left hand clutches their chest. A shackle around their left wrist dangles a long chain that stretches to the ground, imprisoning them at the sacrifice site. Smoke swirls around them. Behind them the digital backdrop displays captions reading 'Farewell to the maiden Hebe, she who worshipped Neptune'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/0d20ab6a-9e42-4db8-a253-8439abdd5ed8/DAGal059.jpg PRODUCTION PHOTOS Jacobs, a white man with grey hair and beard, stands at the top of the stage in front of the lit-up display screen that form the set's backdrop. Jacobs appears in Neptune's sea costume, a tattered suit, hung with seaweed. A large fish's dorsal fin on his back. He has a menacing expression and points threateningly down towards the sacrifice site with his trident. On the ground below the stage a ring of stones and low torches of fire are just visible. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/bb8f1666-f101-427b-b9a3-ea343d46c624/DAGal060.jpg PRODUCTION PHOTOS Webster, a Scottish-Thai nonbinary person, as Hebe, stands upright in a white dress. Their dark hair hangs loose around their shoulders, and they have a crown of yellow flowers on their head. A chain is visible dangling from their left hand to the ground. They are signing and have a joyful expression on their face. On the stage behind them to the left, Jacobs as Neptune watches Hebe. The spotlight is on Hebe while Neptune is slmost silhouetted in the low light. He holds his trident out towards Hebe in a threatening pose. The large digital screen that is the set's backdrop, is lit up in swirling blues and the captions read 'I honour the sovereign of all virtue, and Goddess of all nymphs, Diana'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/a556e51b-c20b-416c-8f3b-607686fab399/DAGal061.jpg PRODUCTION PHOTOS Webster, a Scottish-Thai nonbinary person, dressed as Hebe in a full-length white dress with eyes embroidered on the bottom hem. Their dark hair hangs loose around their shoulders, and they have a crown of yellow flowers on their head. They stand with both arms up over the head, fingers curled, and they have an intense expression on their face. A shackle on their left wrist connects to a large chain keeping them captive. Behind them the digital backdrop displays captions reading 'let my life end thine'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/cc24f5f7-e039-4746-bd67-1012a89fe12f/DAGal062.jpg PRODUCTION PHOTOS Jacobs, a white man with grey hair and beard, stands under blur lighting on stage. His arms are raised over his heaad and he bares his teeth at the audience menacingly. Jacobs appears in Neptune's sea costume, a tattered suit, hung with seaweed. He holds his large trident in his right hand. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/6c2141a5-c7dc-4129-9602-21acbe4f75b2/DAGal063.jpg PRODUCTION PHOTOS Nadarajah, a brown woman with black hair, is dressed as Diana in a light top and long and flowing colourful floral skirt. She is crowned with bejewelled antlers. She is signing expresively to the audience. Behind her, out of focus, Stone as Venus enters, swaggeringly, beneath the large digital display screen that frames the central entrance to the lower stage. Smoke swirls around the actors and the display screen is lit up with stars in a night sky. The captions read 'Hath Diana therefore brought danger to her nymphs because they be chaste?' https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/cceb0fc4-b3df-4bbd-9ac9-f69e66b913cb/DAGal064.jpg PRODUCTION PHOTOS Stone, a white woman with long brown hair flowing loose around her, wears Venus's final costume: a puffy pink petticoat skirt and black leather jacket and boots. She is in profile, and is taking off her black sunglasses and holding them up dramatically. Pink smoke swirls around her. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/01885c8f-3efc-4ac8-b851-9d4990a4a581/DAGal065.jpg PRODUCTION PHOTOS Jacobs stands in the lower thrust stage, framed by the stage entrance. Jacobs is a tall white man with grey heair and short beard, He is dressed in Neptune's sea costume, a tattered suit with seaweed attached and a fish's dorsal fin attached to his back. He leans on his large bronze trident and looks up at Stone who stands on the raised proscenium stage above him. Stone is a white woman with long brown hair flowing loose around her, wears Venus's final costume: a puffy pink petticoat skirt and black leather jacket and boots. She signs expressively at Jacobs, her hand in front of her mouth. Smoke swirls around them. Behind them, the digital backdrop is lit up like a starry night sky. The captions read 'and let not Venus's words be vain in thine ears since thine were imprinted in my heart'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/e542956e-a19f-4918-bc6c-494bc7f7124f/DAGal066.jpg PRODUCTION PHOTOS Jacobs stands in the lower thrust stage, framed by the stage entrance. Jacobs is a tall white man with grey hair and short beard, He is dressed in Neptune's sea costume, a tattered suit with seaweed attached. He leans on his large bronze trident and looks up at Stone who stands on the raised proscenium stage above him. His left hand is on his heart. Stone is a white woman with long brown hair flowing loose around her, wears Venus's final costume: a puffy pink petticoat skirt and black leather jacket and boots. She signs expressively, one hand running through her hairm another on her chest. Behind them, the digital backdrop is lit up like a starry night sky. The captions read 'that hateth sweet delights, envieth loving desires, masketh wanton eyes'. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/299a93ce-0199-45a4-bbb2-501a0e62e1fb/DAGal067.jpg PRODUCTION PHOTOS Diana's caravan at night. The caravan is wrapped with a close up image of Diana (Nadia Nadarajah)'s eye. Her face around the eye is depicted in green plant patterns. The eye is open as if Diana is always watching. Light glows from a small caravan window. Outside the caravan is an empty rocking chair at left, and a yellow flag reading 'No Sacrifice' in capitals. Tree trunks and chairs are positioned around the camp. On the ground in the centre of the camp is a fire pit from which a large plume of pink smoke floats up into the sky. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/f3a05a68-9acd-4413-820e-26e763d4b4c7/DAGal068.jpg PRODUCTION PHOTOS Nadarajah, a brown woman with shoulder-length blakc hair, stands, addressing the audience. Her hand is stretched out in front of her and she smiles widely. She wears a silver coloured top and a colourful flowing skirt in with tropical flowers. She is crowned with a set of golden antlers adorned with jewels. Behind her, members of the Galatea cast stand and sit on the top level of the stage, lit up with green light. They watch her closely. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/5c956ee8-6e82-49a9-aef6-57c3a8cb397b/DAGal069.jpg PRODUCTION PHOTOS Nadarajah, a brown woman with black hair loose around her shoulders, appears to run towards the camera, her arms outstretched, askign the audience to cheer for her. She smiles confidently. She is wearing a soft silvery jumpseuit and gold boots. Behind her, the digital backdrop is lit with white lights. Members of the Galatea cast (Steve Jacobs and Neptune and Sophie Stone as Venus) are visible in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/a93e37fd-f17e-4db8-b137-080879086d93/DAGal070.jpg PRODUCTION PHOTOS Stone, a white woman with long brown hair, hanging loose down her back, stands, facing the audience. Her arms are stretched out to the side, asking the audience to cheer for her. She has a jubilant open smile. She is dressed in a close fitting black leather jumpsuit, with only one sleeve. Behind her, the digital backdrop is lit with white lights. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/6b5c53d2-30b4-4b23-9936-af443e4b5c5c/DAGal071.jpg PRODUCTION PHOTOS Nadia Nadarajah as Diana holds Sophie Stone as Venus in a headlock, wearing a ferocious and triumphant expression. Stone is kneeling and one hand reaches out, pointing to Neptune, who is out of frame. She has a pleading expression on her face. Nadarajah wears a soft silvery jumpsuit and Stone wears an all black leather one. Behind them, the digital backdrop is lit with soft pink lights. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/c45f6dd5-e9f7-4b9d-8a38-340c752e731c/DAGal072.jpg PRODUCTION PHOTOS Sophie Stone as Venus faces Wet Mess as Cupid. She reaches out her arms as if to embrace Cupid. Stone is a white woman with brown hair. She is wearing a black leather jumpsuit, black boots, and a dark fleece cardigan. Wet Mess is a white nonbinary person. They are dressed in a lime green top with a mesh jersey over it, and a white rugby chest guard over that. They have short black pantaloons with three white stripes running down the sides of the legs. They have white tights beneath their pantaloons, white shinguards, and pink boots. Their face is painted with a white, blue, and pink heart and they have two small prosthetic horns on their forehead. They have the skeletal wings on their back, as if they have been burnt. Pink smoke swirls around them. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/f49f7fc5-dee5-4c09-8db7-4d3565066205/DAGal073.jpg PRODUCTION PHOTOS Bogard as Melebeus hugs Seelochan as Phillida. Bogard, a mixed-ethnicity, masculine-presenting person with dark har and a short beard, rests his face on Seelochan's back and has his eyes closed in an expression of loving relief. Seelochan, a mixed-race, genderfluid person with long dark hair, faces away from Bogard, as if they might try to escape the hug. Their arms are loosely crossed. Bogard wears a black jacket, and Seelochan wears a dark fitted round cap, jacket that appears red in the lighting, check shirt and dark blue trousers. The stage is lit in pink and smoke swirls around them. Members of the Galatea cast are visible on the stage behind them. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/c7435295-dfb0-44ad-813d-3648402ac9da/DAGal074.jpg PRODUCTION PHOTOS Tiwo as Galatea and Seelochan as Phillida, are seen from behind. They hug each other closely at look out at the gods, who are visible but out of focus on stage in the background. Tiwo has red locs, over which they are wearing a green bandanna. They wear a light blue puffer vest over an oversized black and white patterned coat. Seelochan wears a dark round cap over their long dark hair, hanging loose over their shoulders. They wear a coat that appear orange in the stage lights over a check shirt and dark blue trousers. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/2235ee92-af71-4983-a57a-4ae48b900625/DAGal075.jpg PRODUCTION PHOTOS Members of the Galatea cast in the play's final moments. Macy Jacob Seelochan as Phillida stands watching their father Melebeus (played by Ralph Bogard) hug a startled Galatea. To their right, Kemi Coker as Tityrus hugs Caz Teague as Peter, while Elkanah Wilder as the nymph Ramia watches. Most of the cast are only visible from behind, except Seelochan and Tiwo. The digital backdrop is lit up in concentric circles of blue-white light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/7a5352c2-d7a3-4b01-b78d-a73b6dc6b981/DAGal076.jpg PRODUCTION PHOTOS Wet Mess, in a wide-legged stance, unplugs the sound and lights to the Galatea set. Their hands are held up and out to their sides, with a plug connecter in each hand. They have an impish smile. Wet Mess is a white nonbinary person. They are dressed in a lime green top with a mesh jersey over it, and a white rugby chest guard over that. They have short black pantaloons with three white stripes running down the sides of the legs. They have white tights beneath their pantaloons, white shinguards, and pink boots. Their face is painted with a white, blue, and pink heart and they have two small prosthetic horns on their forehead. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/e3c539db-fd65-4497-a499-623b4d80efb9/DAGal077.jpg PRODUCTION PHOTOS Tiwo as Galatea stands facing the audience as they deliver the show's epilogue. They are a brown nonbinary person wearing a green bandanna over their red and black locs. They are dressed in masculine attire with dark green and white loose trousers, and a short light-blue puffer vest buttoned over an oversized black and white hoodie. They are smiling. Behind them, the digital backdrop is lit up like a dark blue and purple night sky, full of stars. Members of the Galatea cast are out of focus in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/b1784c6b-a8c7-4b4b-b256-7d0064b60454/DAGal078.jpg PRODUCTION PHOTOS A group shot made up mostly of the Galatea community chorus, who played Diana's nymphs. Tiwo as Galatea delivers the epilogue to them as they sit and stand around the stage. Nadia Nadarajah as Diana, Charlotte Arrowsmith as Telusa, and Chramaine Wombwell as Eurota are also sat on stage, listening. Antonia Kemi Coker as Tityrs sits on the side of the stage. At right, Bea Webster as Hebe is translating Tiwo's words. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/3686a781-10d4-4990-8bd5-0dbd0df3ed05/DAGal079.jpg PRODUCTION PHOTOS A close up of the sign on Tityrus's fairground booth. It is black with arcane decorations integrated into the background, only faintly visible. In white lettering are the words 'Tityrus Alcehmy', in a font that gives the impression of being runic or mystical. The tent is orange. The door is rolled up under the sign and inside there are herbs and flowers drying as they hang upside down from the ceiling. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/92c581ff-b4df-4c18-8d59-4bfabd4673d5/DAGal080.jpg PRODUCTION PHOTOS Nadia Nadarajah stands in a field. She faces the camera, looking out with a composed gaze. She is brown woman with black hair hanging down to her shoulders. She wears a green long sleeved top underneath a shiny, silvery jumpsuit. The top of the jumpsuit hangs down around her waist while the trousers are held up by a wide black leather belt and suspenders. She is crowned with a set of bejewelled antlers. Caravans, tents, and a red flag from the Galatea set are visible in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/063c829f-b162-409a-b824-53b43f9dd9b3/DAGal081.jpg PRODUCTION PHOTOS Bogard, as Melebeus, interviews members of the Galatea team and audience on the grass in front of the stage. Another person in a leopard print coat, with their back to us, holds a television camera in front of them. Everything they film is projected onto the stage's digital backdrop. This display screen appears like an entertainment news show, with a red banner on the top reading 'Little Shoreham Today: everything the same'. Under this Bogard and the person they are interviewing appear on screen. Bogard is a mixed-ethnicity, masculine presenting person with a short dark beard and hair. He wears a large black overcoat and white shirt. Romeo is a black transmasc person with beaded braids and wearing a light coloured long-sleeve fleece and blue jeans. Beside him is a nother audience member in black shirt, light brown trousers, and white hair, with their back to the camera. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/80a5598f-fbc9-4475-a395-64b41503654b/DAGal082.jpg PRODUCTION PHOTOS Abbot, a white non-binary woman, stands holding up her right hand above her head, a commanding expression on her face. She is making the Galatea company BSL sign for 'Diana'. Her thumb and first two fingers are held out and her pinky and ring finger are curled under. Abbot is dressed in green trousers, layered green and light brown jumpers, a tattered white t-shirt over top. She wears layers of green and check scarves aroun her neck, and a brown military cap decorated with green ivy. One of Diana's other nymphs is visible out of focus behind her. The digital stage backdrop displays a broadcast celebrating Neptune Day, which the nymphs are protesting. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/e968badc-6b00-4e82-a1a1-6b78f0e14646/DAGal083.jpg PRODUCTION PHOTOS Nadarajah, Wilder, and Arrowsmith sit around a lit campfire in front of Diana's green caravan. A yellow pennant with the words 'No Sacrifices' in all capital letters is tied to a tree behind them. Nadarajah in Diana's everyday costume: a khaki jumpsuit with green suspenders and light brown boots. She is a brown woman with black hair. She wears dark lipstick and her brow is decrated with a with face paint ornament, like a tiara with a flower. She is crowned with antlers decorated with white jewels. Arrowsmith is a white woman with light brown hair pulled back from her face. She is dressed in a plaid shirt, a dark green hooded jacket, with a black vest laid over both, and torn blue jeans. Wilder is a brown nonbinary/transmasculine person. They wear a black jacket over purple plaid shirt. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/424ad779-6f6a-49c1-acf5-69853b9cef39/DAGal084.jpg PRODUCTION PHOTOS Jacobs, a tall white man with grey hair and bear, stands centre. He is disguised as a fisherman in a long yellow macintosh and black cap. He stands with his arms crossed, and a scornful expression on his face. He is listening to Peralta as Ralph, who stands in profile, facing towards Jacobs. He seems to be in distress, his arms gesticulating outwards. Peralta is a Filipino-American person with a black beard. They are dressed in a grey-white jacket, dark trousers, and a knitted dark wool beanie with a white stripe on the brim. Webster as Hebe is dressed in a long dark jacket over a blue knitted jumper and dark green trousers. They wear a fisherman's-style bucket hat, the brim folded up in front. They are typing Ralph's words on their tablet, looking up with a sceptical expression. Behind them, a BSL interpreter is signing their conversation for the audience. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/89b2967e-7b66-4721-a00b-c0611fe470f9/DAGal085.jpg PRODUCTION PHOTOS Jacobs, a tall white man with grey hair, is photographed in three-quarter profile. He wears a blue-grey double-breasted trench coat over a suit and tie, and a grey fedora on his head. Behind him the audience is visible, but out of focus in the background. Red flags depicting the setting sun wave in the grey sky. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/9955294c-436d-452b-b05e-87ccb3d384ff/DAGal086.jpg PRODUCTION PHOTOS Members of the Galatea cast during the curtain call. They stand in a line on the grass, directly in front of the audience. They are holding hands and smiling widely as they are just about to bow. Memebers of the audience are visible from behind in the foreground. Stage, lights, and trees in the background. https://www.diversealarums.com/production-videos daily 0.75 2026-01-22 https://www.diversealarums.com/galatea daily 0.75 2026-01-15 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618511387030-5LI1E5QMVTQ2RY9S00A4/20140228_Trade+151_0046+1.jpg GALATEA https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618511440608-5BVMHVN4WR2I9YQV1WWR/Aro+Ha_0010+1.jpg GALATEA https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618511467879-K5J9BYNACHJVDV3BNSFU/Aro+Ha_0387+1.jpg GALATEA https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1618511743693-J3A8OYH6X8C7RXNU5K0J/20140301_Trade+151_0124+1.jpg GALATEA https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/ae1d1de3-da31-4acd-9d1e-de7ac6ce007e/FINAL+GALATEA+TITLE+WHITE+%281%29.png https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1756286747084-QK9KO2NWU3QC37PH9VSK/GalLogo01.jpg GALATEA - Promotional banner for Galatea at Brighton Festival. The main image is of a tree-filled woods on a pink and blue background. Two figures stand together: Femi Tiwo and Macy-Jacob Seelochan, who played Galatea and Phillida in the play. Tiwo is a brown non-binary person with red and black locs. They are wearing and red, black, and white hockey jersey with a black leather vest over top. They are leaning, with their head back slightly against Seelochan, who is a genderfluid mixed-raced person. Their long dark brown hair is pulled up in a ponytail, and they are wearing blue, brown, and orange mesh top with a blue denim jacket vest over top and a dark brown skirt. They also wear lavender coloured mesh arm sleeves. Both figures have one arm up holding a lit fire torch. The word 'Galatea' is printed in large white letters outlined in pink and blue in the bottom left corner. A large yellow capital letter F with the words Brighton Festival in black lettering inside is overlaid in the top left corner. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1755090583984-XWGZ6TFBREUSJ62QJ3AV/GalLogo02.jpg GALATEA - Promotional poster for Galatea at Brighton Festival. The main image is of a tree-filled woods on a pink and blue background. Two figures stand together: Femi Tiwo and Macy-Jacob Seelochan, who played Galatea and Phillida in the play. Tiwo is a brown non-binary person with red and black locs. They are wearing and red, black, and white hockey jersey with a black leather vest overtop. They have black and white patterned trousers.. They are leaning, with their head back slightly against Seelochan, who is a genderfluid mixed-raced person. Their long dark brown hair is pulled up in a ponytail, and they are wearing blue, brown, and orange mesh top with a blue denim jumpsuit overtop as well as a dark brown skirt. They also wear lavender coloured mesh arm sleeves. Both figures have one arm up holding a lit fire torch. The word 'Galatea' is printed in large white letters outlined in pink and blue in the bottom half of the image. Below that, in white font is text: 'by John Lyly, newly adapted by Emma Frankland and Subira Joy'. In yellow font at the very bottom of the image are the show dates. A large yellow capital letter F with the words Brighton Festival in black lettering inside is overlaid in the top left corner. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1755090585152-QQYF5YO3B9696D3E1PT5/GalLogo03.jpg GALATEA - Promotional poster for the world premiere of Galatea at Brighton Festival. The main image is of a tree-filled woods on a pink and blue background. Two figures stand together: Femi Tiwo and Macy-Jacob Seelochan, who played Galatea and Phillida in the play. Tiwo is a brown non-binary person with red and black locs. They are wearing and red, black, and white hockey jersey with a black leather vest overtop. They have black and white patterned trousers. They are leaning, with their head back slightly against Seelochan, who is a genderfluid mixed-raced person. Their long dark brown hair is pulled up in a ponytail, and they are wearing blue, brown, and orange mesh top with a blue denim jumpsuit overtop as well as a dark brown skirt. They also wear lavender coloured mesh arm sleeves. Both figures have one arm up holding a lit fire torch. In the middle of the image, beside the standing figures, are quotes from the Guardian describing the play as 'A tale of queer love and acceptance' and 'spectacular outdoor theatre'. The play's title, 'Galatea' is printed in large white letters outlined in pink and blue in the bottom half of the image. Below that, in white font is text: 'by John Lyly, newly adapted by Emma Frankland and Subira Joy'. In blue font at the very bottom of the image are the show dates. A large blue capital letter F with the words Brighton Festival in black lettering inside is overlaid in the top left corner. https://www.diversealarums.com/queer-histories-in-cabaret daily 0.75 2026-02-03 https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/8688c663-9365-48cf-9f95-27ce380c6b37/DACaArt01+2.jpg https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1d3151ab-b721-48c3-910c-4248f0c31e17/DACaProgramme01.jpg https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/bedba0bb-702b-41cb-b90e-b0f942cc0b00/DACaProgramme02+%281%29.jpg https://www.diversealarums.com/cabaret-photos daily 0.75 2025-10-27 https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709686582-NYF2VG2ZH0JO3VWY15MN/DACaR001.jpg CABARET PHOTOS - Prince of Persia. Marlborough Productions. Photo: Kaleido Shoots, 2025. Prince of Persia, a non-binary trans person of Persian descent, stands in profile. Their face is raised and their mouth open as they caress themselves. They are lit in red light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709686663-INKKZ2Z639QKZEG4MDDX/DACaR002.jpg CABARET PHOTOS - Tamm Reynolds. Marlborough Productions. Photo: Kaleido Shoots, 2025. Tamm is a white trans person with dwarfism. They are dressed in a white tank top with a plunging neckline, white shorts, red fishnet stockings, and black trainers. They are wearing glasses a red baseball cap with the word 'Montague' on it in black lettering. They are standing on a theatre balcony, leaning slightly on the railings. They are smiling. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709687911-YZYKFSDEA1Y9RD6GAU5I/DACaR003.jpg CABARET PHOTOS - Subira Joy. Marlborough Productions. Photo: Kaleido Shoots, 2025. Subira is a brown trans person on a black-curtained stage with script in hand. They are wearing leather backless chaps, black pants and short black tank top, showing their midriff. Over this is a sparkly silver bolero. They have a silver sequined cowboy hat on their head. They are holding a microphone connected to a stand and smiling broadly. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709688105-BMHQDTH15N3MB6X7TV2F/DACaR004.jpg CABARET PHOTOS - Andy Kesson. Marlborough Productions. Photo: Kaleido Shoots, 2025. Andy is a white cis man standing on a black-curtained stage in front of a microphone stand. He is wearing blue trousers and orange shirt, with a sparkly gold blazer over top. He wears glasses and a long black curly wig. One hand is raised in an expressive gesture. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709689229-SZWGYJL350VMTJ5XBKJI/DACaR005.jpg CABARET PHOTOS - Andy Kesson. Marlborough Productions. Photo: Kaleido Shoots, 2025. Andy is a white cis man running into the spotlight on a black-curtained stage. He is wearing blue trousers and orange shirt, with a sparkly gold blazer over top. He is glasses and wearing a round fur cap and is smiling. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709689247-21PTREZK7WYBI6IAXINR/DACaR006.jpg CABARET PHOTOS - Erin Julian and Avey Nelson. Marlborough Productions. Photo: Kaleido Shoots, 2025. Erin and Avey stand in front of a microphone on a black-curtained stage, scripts in hand, talking to an audience. Erin is a white cis woman in red and blue plaid shirt and blue jeans. She wears glasses, a fur cap on her head, and a blue sequined bum bag and brown and white soft toy pony on her belt. Avey is a white non-binary person with short curly brown hair. They wear glasses, a black puffer jacket, and dark grey trousers. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709690401-T5R0Q92SWF3ERB2R0ZAO/DACaR007.jpg CABARET PHOTOS - Prince of Persia. Marlborough Productions. Photo: Kaleido Shoots, 2025. Prince stands on stage, visible from behind. They wear a red suit with lacing at the back of the jacket. Their hands are down at their sides and their head is hanging or looking down at the floor. Candles are lit on the ground around them. They are lit in pink-red light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709690555-9OM3EGPUF38LSIXEH77G/DACaR008.jpg CABARET PHOTOS - Prince of Persia. Marlborough Productions. Photo: Kaleido Shoots, 2025. Prince stands on stage, their hands held together over their head. They look upwards with their mouth open. They are wearing a bespoke suit in red with gold paisley accents. The stage is lit dramatically in purple and pinkish red. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709692049-I9CNAXJDJ2KFI1DQRFJD/DACaR009.jpg CABARET PHOTOS - Prince of Persia. Marlborough Productions. Photo: Kaleido Shoots, 2025. Prince stand on stage, framed by the opening in the stage curtain. They are nearly in silhoutte but we can just see they are in pants and garters. There is a candle at their feet and the stage is lit up blue. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709691914-JFRHJS1CGAY2PM8BXWXV/DACaR010.jpg CABARET PHOTOS - Subira Joy. Marlborough Productions. Photo: Kaleido Shoots, 2025. Subira, a brown trans person lies in fetal position on stage. They are dressed in a wide-meshed top, black tactical trousers and boots, and a police-style yellow and silver reflective arm-band and protective vest. They have silver chains attached to their belt. Their wrists are held together with a zip-tie. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709693234-O0224N0HE5IMHPU1DVED/DACaR011.jpg CABARET PHOTOS - Subira Joy. Marlborough Productions. Photo: Kaleido Shoots, 2025. Subira, a brown trans person stands on stage. They are dressed in a wide-meshed top, black tactical trousers and boots, and a police-style yellow and silver reflective arm-bands and protective vest. They have silver chains attached to their belt and vest. Their wrists are held together with a zip-tie. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709693298-D2I1LJ9MCGRZ8G9L4ZAG/DACaR012.jpg CABARET PHOTOS - Subira Joy. Marlborough Productions. Photo: Kaleido Shoots, 2025. Subira, a brown trans person sits on stage in a chair in a wide stand. They are dressed in a wide-meshed top, black tactical trousers and boots, and a police-style yellow and silver reflective arm-bands and protective vest. They have silver chains attached to their belt and vest. Their hands are on their knees. They are looking down at the floor with a reflective expression. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709694562-VUHD6OB54MMUJMXI0GKT/DACaR013.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleido Shoots, 2025. Dre, a trans masc Latinix person, stands on stage in red velvet shirt with long wide cuffs and white shorts. They also wear a short black leather jerkin, small white lace ruff, and a red baseball cap. They are holding their hand to their chest and are looking up in an earnest expression. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709694576-38N1UBSPSKLXSNZXZ7TO/DACaR014.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleido Shoots, 2025. Dre, a trans masc Latinix person, stands on a balcony in red velvet shirt with long wide cuffs, white shorts, white lacy knee-high socks and black boots. They also wear a short black leather jerkin, small white lace ruff, and a red baseball cap. One hand is behind their head and they are looking out at the audience, a bit seductively. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709695643-GYGQRFIQBYIEWCI97GEV/DACaR015.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleido Shoots, 2025. Dre, a trans masc Latinix person, stands on a balcony in white tank top and shorts, lacy knee-high socks and black boots. They also wear a red baseball cap on their head. They're hands are resting on the balcony railings and they are looking upwards with a bit of a grin. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709696126-JAR9OCOYKE0F0X47YOM1/DACaR016.jpg CABARET PHOTOS - Tamm Reynolds. Marlborough Productions. Photo: Kaleido Shoots, 2025. Tamm is a white trans person with dwarfism. They are dressed in a white tank top with a plunging neckline, white shorts, red fishnet stockings, and black trainers. They are wearing glasses a red baseball cap with the word 'Montague' on it in black lettering. They are resting their hands on the balcony railings and gazing out at the audience. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709696820-XPX2N5WVFOL5RSQJ87VI/DACaR017.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleido Shoots, 2025. Dre, a trans masc Latinix person, stands among the audience seating of a theatre, rows of wooden chairs visible behind them. They are wearing a white tank top and red baseball cap. They hold their hands up in an expressive gesture. Out of focus, in the background are other cabaret artists sitting and standing amongst the seating. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709697323-75IOOUOQ01CRWSZCT2ZE/DACaR018.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleido Shoots, 2025. Dre, a trans masc Latinix person, stands on stage in white tank top and shorts, lacy knee-high socks and black boots. They wear a red baseball cap on their head. They are smiling out at the audience with a bit of a grin. Behind them is projected a video of them lying in bed, they're face on a white pillow. The stage floor is lit in red lights. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709698330-NWIED16LIWUYQC172YVA/DACaR019.jpg CABARET PHOTOS - Emma Frankland and Subira Joy. Marlborough Productions. Photo: Kaleido Shoots, 2025. Emma, a white trans woman, stands in front of a stage holding up a clipboard with a script. She has long brown hair tied up in a knot on, and is wearing a satiny brown top and shiny sequined blue and gold skirt. She is showing the script to Subira who stands above her on the stage. Subira is a brown trans person.They are wearing leather backless chaps, black pants and short black tank top, showing their midriff. Over this is a sparkly silver bolero. They have a silver sequined cowboy hat on their head. They are looking down at the clipboard Emma holds up. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709698465-D6SROBIR34CXNHAAAQ9J/DACaR020.jpg CABARET PHOTOS - Charlie Wood. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie is photographed at an extreme angle. She wears a ruffly long red dress with short puffed sleeves. Her face is obscured by a mask made up of four white animal skulls. The central skull covers her face, two further skulls jut out from either side, and one is one the back of her head. One of the skulls has pointed teeth and another has antlers. She is opening their mouths using red strings that are connected to the skulls' jawbones. The skulls appear to be grinning happily. She is wreathed in red-lit smoke. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709699480-5YTYJ1ZEW3DZV9Y8LFP6/DACaR021.jpg CABARET PHOTOS - Charlie Wood.Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie kneels on stage. She wears a ruffly long red dress with short puffed sleeves, black tights and shiny boots. Her face is obscured by a mask made up of four white animal skulls. The central skull covers her face and three further skulls jut out, two on either side and one on the back of her head. One of the skulls has sharp pointed teeth and another has antlers. She is opening their mouths using red strings that are connected to the skulls' jawbones. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760709699718-W5YKQGJLAHPUTLE9ZTU0/DACaR022.jpg CABARET PHOTOS - Charlie Wood. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie stands in profile on stage in front of a large screen on which is projected the painting of Holofernes getting his head chopped off. The image zooms in on his screaming face. Charlie wears a ruffly long red dress with short puffed sleeves, black tights and shiny boots. Her face is obscured by a mask made up of four white animal skulls. The central skull covers her face and three further skulls jut out, two on either side and one on the back of her head. One of the skulls has sharp pointed teeth and another has antlers. She is opening their mouths using red strings that are connected to the skulls' jawbones. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760984661909-BKFH2W32TN726LO1PPD6/DACaP001.jpg CABARET PHOTOS - Emma Frankland. Marlborough Productions. Photo: Kaleidoshoots, 2025. Emma, a white trans woman with long brown hair, stands poised on a black-curtained stage in the spotlight, in front of a microphone stand. She wears a green and gold corset and gold sequined hotpants with a pink bustle skirt attached, fishnets and gold and black kitten heel boots. She holds a script in one hand and is speaking to the audience. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760984661924-9PLGEEWWQFASN9SXI80N/DACaP002.jpg CABARET PHOTOS - Andy Kesson. Marlborough Productions. Photo: Kaleidoshoots, 2025. Kesson, a white cis man with short brown hair and glasses, is standind on stage in front of a microphone. He is wearing a gold sequined jacket over an orange shirt. He is holding a script in one hand and gesturing as he speaks animatedly to the audience. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760984663076-TXA74KENWPYCVX3H3WPZ/DACaP003.jpg CABARET PHOTOS - Emma Frankland and Subira Joy. Marlborough Productions. Photo: Kaleidoshoots, 2025. Emma and Subira stand on stage together in front of a microphone stand. Emma is a white trans woman with long brown hair swept back in a half up do. She wears a green and gold corset and gold sequined hotpants with a pink bustle skirt attached, fishnets and gold and black kitten heel boots. She holds up a silver clipboard with script in one hand and microphone in the other. Subira is a brown trans person.They are wearing leather backless chaps, black pants and short black tank top, showing their midriff. Over this is a sparkly silver bolero. They have a silver sequined cowboy hat on their head. They are also holding a sliver clipboard in front of them. Both are looking out of frame, smiling. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760984663100-V3M8WCYWE8MZ1HQMZ1WL/DACaP004.jpg CABARET PHOTOS - Erin Julian and Avey Nelson. Marlborough Productions. Photo: Kaleidoshoots, 2025. Erin and Avey stand in front of a microphone on a black-curtained stage, scripts in hand, talking to an audience. Avey centre focus of the photo, is a white non-binary person with glasses, a blue, red, and white plaid shirt, grey trousers, and pink cowboy hat with a sequined rim. They are smiling out at the audience, a script held in their hand. Erin is just out of focus behind, watching them speak to the audience, and smiling. She is a white cis woman in red and blue plaid shirt and blue jeans. She wears glasses, a blue baseball cap on her head, and a blue sequined bum bag and brown and white soft toy pony on her belt. She is also holding a script. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760984664118-FBOY8HM9Y9I9ZFI33XRZ/DACaP005.jpg CABARET PHOTOS - Packing for time-travel. Marlborough Productions. Photo: Kaleidoshoots, 2025. Emma Frankland kneels on stage in front of a prop suitcase, which is the centre of the photo. The suitcase is a hand-held bag in black and brown fabric. It has different pieces of colourful fabrics coming out of it, as if over stuffed with clothes. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979344387-KGU3W47ESCIJ4O4PNSS3/DACaP006.jpg CABARET PHOTOS - Midgitte Bardot. Marlborough Productions. Photo: Kaleidoshoots, 2025. Midgitte, a white trans person with dwarfism, stands on stage wreathed in smoke and a dramatic spotlight. Their features are mostly obscured but we can just make out a large blonde wig and sunglasses. They are wearing white shoes with soles that light up electric blue. Towards the downstage centre is a microphone stand and a small stepstool. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979344593-DSMMPYCDE2NUKJO6F7UZ/DACaP007.jpg CABARET PHOTOS - BSL interpretation. Marlborough Productions. Photo: Kaleidoshoots, 2025. A brown person with black hair stands on stage. They are wearing a light denim blue short-sleeved shirt over a darker long-sleeved jumper, and light greyish-blue trousers. They are leaving backwards slightly and both hands are held up, index and middle finger extended in a v shape, as they make the BSl sign for sing. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979345597-JDPIZ1RW2UBM43C8SFAR/DACaP008.jpg CABARET PHOTOS - Midgitte Bardot. Marlborough Productions. Photo: Kaleidoshoots, 2025. Midgitte, a white trans person with dwarfism, stands on stage, photographed at a dramatic angle. They wear a large blonde wig and sunglasses with a heavy, styled orange plastic frame. Their face is painted white with red lipstick. They are wearing a red fishnet body suit with a silvery sequined backless top and white undergarment shorts. They also wear one orange glove in which they are holding a microphone up to their face as they sing. A spotlight shines behind them and white smoke swirls in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979345619-1T5DCZCKET214DLAB0MM/DACaP009.jpg CABARET PHOTOS - Midgitte Bardot's lecture. Marlborough Productions. Photo: Kaleidoshoots, 2025. A close up of the accessibility captions showing a portion of Midgette Bardot's lecture on historical people with dwarfism. The text is about Benjamin Lay, a Quaker priest, and tells about the 'Bladder of Blood' incident. It reads: Lay appeared at a Quaker meeting dressed in a military coat. A sword hidden under his Quaker garmets. Carrying a bible which concealed a container of pokeberry juice. During the service, he threw off his cloak and plunged his weapon deep into the bible. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979346800-QUXFHP9Z1WXU9CZHRNQN/DACaP010.jpg CABARET PHOTOS - Midgitte Bardot. Marlborough Productions. Photo: Kaleidoshoots, 2025. Midgitte Bardot is photographed from behind as they stand at a lectern, speaking to the audience. They wear a big blonde wig, a green blazer, red fishnets, and white shoes with soles that light up with electric blue lights. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979346901-5RJQWDJ2HR81YES0JPBT/DACaP011.jpg CABARET PHOTOS - Avey Nelson. Marlborough Productions. Photo: Kaleidoshoots, 2025. Avey is a white non-binary person with glasses, a blue, red, and white plaid shirt, grey trousers, and pink cowboy hat with a sequined rim. They stand in front of a microphone stand. One hand is held up in an expressive gesture while they hold a script in their other hand. They are checking their notes as they speak to the audience. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979347982-A9U7CD2MEEB8FXYXI7GM/DACaP012.jpg CABARET PHOTOS - Prince of Persia. Marlborough Productions. Photo: Kaleidoshoots, 2025. Prince of Persia, a non-binary trans person of Persian descent, stands almost in profile. Their hands are at their sides and their head thrown back, eyes closed, mouth open. They are wearing a bespoke suit in red with gold paisley accents, and fur collar. They are lit dramatically in red light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979348486-1COOUVLCJEMFMHBMWCRD/DACaP013.jpg CABARET PHOTOS - Prince of Persia. Marlborough Productions. Photo: Kaleidoshoots, 2025. Prince of Persia, a non-binary trans person of Persian descent, stands almost facing the camera, in a dramatic, wide-legged stance. Their knees are bent and they hold one hand out and up in front of them, as they look upwards expressively, their eyes and motuh wide. Prince has short curly brown hair, heavy dark eyeliner, and a thin moustache. They are wearing a bespoke suit in red with gold paisley accents, and fur collar. The stage is lit in red light and there are candles lit up on the floor behind them. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979349122-KA0METOQFVO59ZN7CCJ8/DACaP014.jpg CABARET PHOTOS - Andy Kesson. Marlborough Productions. Photo: Kaleidoshoots, 2025. Andy, a white cis man with glasses, is standing on stage in front of a microphone. He is wearing a gold sequined jacket over an orange shirt and blue trousers. He wears a long curly black wig. He has a script in one hand and a microphone in the other, which he holds up to his face to speak to the audience. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979349612-5IMMXWW1KIBGDERR93TQ/DACaP015.jpg CABARET PHOTOS - Subira Joy. Marlborough Productions. Photo: Kaleidoshoots, 2025. Subira, a brown trans person, sits on stage in a folding chair pulled up to a table. They are dressed in a wide-meshed top, with police-style yellow and silver reflective arm-bands and black protective vest. They are holding a glass of water in one hand, and looking at a whole papaya resting on the table . They have a sombre expression on their face. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979350156-PN91YL4NRJQQG2Y8LXXL/DACaP016.jpg CABARET PHOTOS - Subira Joy. Marlborough Productions. Photo: Kaleidoshoots, 2025. Subira, a brown trans person, sits on stage in a folding chair pulled up to a table. They are dressed in a wide-meshed top, with police-style yellow and silver reflective arm-bands and black protective vest. They are caressing a papaya resting on the table. They have a sombre expression on their face. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979351146-CHK7WC9CMUOGM4VYCVIM/DACaP017.jpg CABARET PHOTOS - Subira Joy. Marlborough Productions. Photo: Kaleidoshoots, 2025. Subira is photographed from behind as they kick over a folding chair with a yellow reflective vest draped over it. They are dressed in a wide-meshed top, black tactical trousers and boots, and a police-style protective vest with yellow and silver reflective bands crossed at the back. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979351485-CGZAA59RIVSKYJYWJUI3/DACaP018.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleidoshoots, 2025. Dre is a trans masc Latinix person. He stands on stage in profile. He is wearing red velvet shirt with long wide cuffs and white shorts. They also wear a short black leather jerkin, small white lace ruff, and a red baseball cap which shades their eyes. They are holding a small pink flower up in their hand. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979352180-6MAMVJVVJO0JHTJ68DOY/DACaP019.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleidoshoots, 2025. Dre, a trans masc Latinix person, stands on stage in white tank top and shorts, lacy knee-high socks, one rolled down to their ankle. They also wear a red baseball cap on their head. He is reading from a copy of Romeo and Juliet. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979352856-VNG1SOT8ML7WSNGK5B3O/DACaP020.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleidoshoots, 2025. Dre, a trans masc Latinix person, is photographed from the waist up. They are wearing a white tank top, silver necklace, and a red baseball cap on their head. They are holding a folded copy of Romeo and Juliet in one hand and holding a crumpled up page torn from this book up to their mouth. Their mouth is open and they are eating the page. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979353579-LSLRYXDVP3T1DPYWHUUN/DACaP021.jpg CABARET PHOTOS - Dre Spisto and Stage Manager Noah Martin. Marlborough Productions. Photo: Kaleidoshoots, 2025. Dre, a trans masc Latinix person with short dark hair, kneels in profile on stage. They wear a white tank top and shorts, lacy socks rolled down to their ankle. Their eyes are closer. Noah is non-binary person with short dark curly hair. They are dressed in black tank top, trousers, and boots. They stand behind Dre and artfully scatter flower petals over them. The stage is floor is lit with red light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979354829-5IE9OK5PQ41H1LG6DKLI/DACaP022.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleidoshoots, 2025. Dre, a trans masc Latinix person with short dark hair, kneels in profile on stage. They wear a white tank top and shorts, lacy socks rolled down to their ankle, and a silver chain necklace. Their head is up and they look out over the audience as a hand scatters flower petals from a cup held over their head. The stage floor is scattered with petals and lit with a swirling red light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979354968-EKXJRVGQ0AKZKCC2EU22/DACaP023.jpg CABARET PHOTOS - Dre Spisto. Marlborough Productions. Photo: Kaleidoshoots, 2025. Dre, a trans masc Latinix person with short dark hair, lays stretched out on the stage floor, toes pointed being them, feet in knee-high white lacy socks. They are also wearing a white tank top and shorts, and silver chain necklace. They push themselves up off the floor, and look out at the audience, a small smile on their face. A red baseball cap is on the floor in front of them. The stage is scattered with flower petals and lit in soft swirling red light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979356272-0Y1296PCN604F9XX56RN/DACaP024.jpg CABARET PHOTOS - Emma Frankland as k.d. lang. Marlborough Productions. Photo: Kaleidoshoots, 2025. Emma stands on stage under a spotlight, in front of a microphone stand. She is dressed in a short brown butch wig, black sunglasses, and black pin-striped trousers and suit vest over a white collared shirt and black and white striped tie. She holds a cigarette in one hand. She gazes coolly out at the audience. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979356355-N0QB5OSR32JFACAZNON7/DACaP025.jpg CABARET PHOTOS - Emma Frankland as k.d. lang. Marlborough Productions. Photo: Kaleidoshoots, 2025. Emma stands on stage in front of a microphone stand. She is dressed in a short brown butch wig with curled fringe, and black pin-striped trousers and suit vest over a white collared shirt and black and white striped tie. Her hands are slightly behind her back and she speaks to the audience, a smile on her face. Behind her is a black barber's chair. On the screen behind her, in large red capital lettering, we can just see the start if the words Vanity Fair. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979357556-TS0YVLN9WCMGA1FVD7N9/DACaP026.jpg CABARET PHOTOS - Emma Frankland. Marlborough Productions. Photo: Kaleidoshoots, 2025. Emma stands, her back to the audience, displaying two large flags draped over her shoulders like a cape. One is the orange, pink, and white lesbian flag and the other is the blue, pink, and white trans flag. She holds one hand up above her in a power-rock gesture and her long brown hair falls down her back. Behind her is a black barber's chair covered in shaving foam. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979357613-Y741EIT1I431RQTYZG9E/DACaP027.jpg CABARET PHOTOS - August 1993 Vanity Fair cover. Marlborough Productions. Photo: Kaleidoshoots, 2025. The cover of the August 1993 issue of Vanity Fair is projected on the stage backdrop. The cover shows Cindy Crawford, in black leotard, standing behind k.d. lang, who is seated in a barber's chair, her face covered in shaving foam. Crawford has her eyes closed and head erotically thrown back as she shaves lang. Lang has short dark hair and plack pin-striped trousers and vest over a white collared shirt and black and white striped tie. Her eyes are also closed as she leans back against Crawford's chest with pleasure. The lead story reads: k.d.lang's edge. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979358888-UMCRZN8S3RD787J7CLJ7/DACaP028.jpg CABARET PHOTOS - Sexuality'. Marlborough Productions. Photo: Kaleidoshoots, 2025. Captions displaying lyrics to k.d.lang's song 'Sexuality'. They read: How bad could it be? Sexuality. How bad could it be? Sexuality. Sexuality. Sexuality.' https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979358819-5UJ3A3F85V455GIU5Z17/DACaP029.jpg CABARET PHOTOS - Erin Julian. Marlborough Productions. Photo: Kaleidoshoots, 2025. Julian, a white cis woman, stands on stage holding a microphone and smiling at the audience. She is wearing a dark green felt bowler hat, glasses, a red plaid shirt and blue jeans. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979360090-U2E7ASNV98HJCP8IOB4G/DACaP030.jpg CABARET PHOTOS - Charlie Wood. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie stands in profile on stage. She wears a ruffly long red dress with short puffed sleeves, black tights, and shiny boots with heavy buckles. Her face is obscured by a mask made up of four white animal skulls. The central skull covers her face and three further skulls jut out, two on either side and one on the back of her head. One of the skulls has sharp pointed teeth and another has antlers. She is opening their mouths using red strings that are connected to the skulls' jawbones. Smoke swrils around her lit with red light. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979360162-ZH2T0C82RXRJQJ7ZM5HY/DACaP031.jpg CABARET PHOTOS - Charlie Wood. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie is photographer in profile from the waist up. She wears a ruffly long red dress with short puffed sleeves. Her face is obscured by a mask made up of four white animal skulls. The central skull covers her face and three further skulls jut out, two on either side and one on the back of her head. One of the skulls has sharp pointed teeth appears to be smiling. Another has antlers. She is opening their mouths using red strings that are connected to the skulls' jawbones. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979361387-HAFTASRN7LYQBF6OQPIQ/DACaP032.jpg CABARET PHOTOS - Charlie Wood. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie is photographed at an angle from behind from the waist up. She wears a ruffly long red dress with short puffed sleeves. She also wears a mask made up of four white animal skulls. One of the skulls has sharp pointed teeth appears to be smiling. From this view we get a good look at the mask from the back of her head, showing a deer skull with antlers. She is opening its mouth wide using red strings that are connected to the skulls' jawbones. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979361435-X064PFC0XWEUO405YR2M/DACaP033.jpg CABARET PHOTOS - Subira Joy, Avey Nelson, Emma Frankland, and Erin Julian. Marlborough Productions. Photo: Kaleido Shoots, 2025. Members of the Diverse Alarums in Cabaret team on stage during the curtain call. Everyone is smiling. Subira is a brown trans person.They are wearing leather backless chaps, black pants and short black tank top, showing their midriff. Over this is a sparkly silver bolero. They have a silver sequined cowboy hat on their head. They are reading from a silver clipboard. Avey is a white non-binary person with glasses, a blue, red, and white plaid shirt, grey trousers, and pink cowboy hat with a sequined rim. Emma is a white trans woman with long brown hair pulled back from her face. She wears a short red strapless dress and speaks into a microphone she is holding. Julian is a white cis woman, laughing out at the audience. She is wearing a blue baseball cap, glasses, a red plaid shirt and blue jeans, and has a blue sequined bum bag and brown soft toy pony attached to her belt. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979362574-D2QA0BL2NUUWJ73ULOGZ/DACaP034.jpg CABARET PHOTOS - Midgitte Bardot. Marlborough Productions. Photo: Kaleido Shoots, 2025. Bardot, a white trans person with dwarfism, dances out towards centre stage during their curtain call, they are dressed in a white tank top and shorts, red fish net stockings and black and white trainers. They have a red baseball cap on their head and their face is done up in white paint and red lipstick. They smile widely. Behind them, just out of focus, are other members of the Diverse Alarums in Cabaret company. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979362675-56A0XZHZYPYVO5HZGVCD/DACaP035.jpg CABARET PHOTOS - Prince of Persia. Marlborough Productions. Photo: Kaleido Shoots, 2025. Prince of Persia, a non-binary trans person of Persian descent, dances during their curtain call. They have short dark curly hair and wear black square sunglasses, a white short and dark trousers, over which they are wearing a stylish grey and black collared jacket. Their hands are up, thumbs pointing playfully at themselves. Other members of the Diverse Alarums in Cabaret company surround them. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979363828-HKKHJTEPYPV2P2BH9YOT/DACaP036.jpg CABARET PHOTOS - Charlie Wood. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie stands in profile on stage. She is a tall white trans woman with a chin-length white-blonde fringed bob. She wears a ruffly long red dress with short puffed sleeves. She is holding up the animal skull mask she made for her performance. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979365089-SU0CVC6LZFXAJPWUJDDZ/DACaP037.jpg CABARET PHOTOS - Curtain Call. Marlborough Productions. Photo: Kaleido Shoots, 2025. The Diverse Alarums in Cabaret company stand together in a line holding hands, ready to bow. They are all smiling broadly. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979366258-N3UWLFIHMR2AR0GYJE02/DACaP038.jpg CABARET PHOTOS - Touch Tour: Costumes. Marlborough Productions. Photo: Kaleido Shoots, 2025. A close up of a costume rack that was used to share the company's costumes during a pre-show touch tour. We can see Prince's red and gold jacket with fur collar, Emma's pink bustle skirt, Midgitte's silvery white backless top, and Emma's Black and white k.d. lang suit. Behind, is a screen showing a close up of Holofernes's screaming face which is projected during Charlie's act. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979367687-C1FIES49HWQE7JZHSP5O/DACaP039.jpg CABARET PHOTOS - Touch Tour. Marlborough Productions. Photo: Kaleido Shoots, 2025. Two people stand, photographed from behind, as they are feeling items from the touch tour clothing rack. We cannot see their faces but they are white person with brown hair in a loose bun, black shirt and green overalls, and a brown person in red jacket and grey plaid newsboy cap. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979367930-6B3BGDBA5A4VFYSD9SWA/DACaP040.jpg CABARET PHOTOS - Touch Tour. Marlborough Productions. Photo: Kaleido Shoots, 2025. Two people stand, their faces obscured by the touch tour clothing rack. On the rack we can see a green blazer with a rosetter pinned to the lapel, a yellow vest, and a silvery sequined top. The audience seating of the theatre is visible in the background. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979369043-4VQ8U8ZE4UK684AFEL3W/DACaP041.jpg CABARET PHOTOS - Touch Tour. Marlborough Productions. Photo: Kaleido Shoots, 2025. A close up of the costume rack set up for a touch tour, A yellow vest drapes over the top of the rack, seen through a white veil. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979369224-V1U3KGT9DMK9268ANFW3/DACaP042.jpg CABARET PHOTOS - Touch Tour: Charlie's animal skull mask. Marlborough Productions. Photo: Kaleido Shoots, 2025. A close up of one of the skulls on Charlie's mask. This is a wolf skull with sharp pointed teeth. But it appears to be smiling. Red fabric ribbons drape over the central portion of the mask holding all the different skulls together. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979370382-SVX0IP5FOIMA4WD4ZXB2/DACaP043.jpg CABARET PHOTOS - Videographer Rosie Powell in the Attenborough Theatre. Marlborough Productions. Photo: Kaleido Shoots, 2025. Videographer Rosie Powell, photographed from behind. Her head is turned to the side and we cannot make out her features but she is wearing glasses and a black t-shirt. Behing them rows of red theatre seats and the sound lighting booth are visible. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979370311-NXMBWTYAI2QX9MJDZ809/DACaP044.jpg CABARET PHOTOS - Documenting the touch tour. Marlborough Productions. Photo: Kaleido Shoots, 2025. Videographer Rosie Powell documents the touch tour in progress. Powell is a white person with short dark brown hair and glasses. She is dressed in a black t-shirt. She holds a camera up in front of her. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979371519-5EMXK6AI4MUOI0MQKS16/DACaP045.jpg CABARET PHOTOS - Props Table. Marlborough Productions. Photo: Kaleido Shoots, 2025. A white folding table laid out with various props from the Diverse Alarums in Cabaret show: a silvery sequined cowbow hat, black leather chaps. White candles and roses, Charlie Wood's animal skull mask, a bouquet of colourful gerbera daisies, a blue baseball cap, and a brown soft toy pony. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979371638-32EHGYY1LMRQKGG4G4KA/DACaP046.jpg CABARET PHOTOS - Props Table. Marlborough Productions. Photo: Kaleido Shoots, 2025. A close up of some of the props on the table. Yellow and silver reflective arm bands and a copy of Shakespeare's Romeo and Juliet. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979372732-XK1NEX0O32PHTAEWNDBJ/DACaP047.jpg CABARET PHOTOS - Holofernes. Marlborough Productions. Photo: Kaleido Shoots, 2025. A projection of a bit of Caravaggio's painting of Judith beheading Holofernes. Here we see a close up of Holofernes's face, screaming in agony. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979373499-J1XBIN8ZKZT98E0TTDU2/DACaP048.jpg CABARET PHOTOS - Props. Marlborough Productions. Photo: Kaleido Shoots, 2025. Subira's silver disco-ball style cowboy hat resting on their black leather chaps. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979373819-JPK20GSVZE7ZCY517L0T/DACaP049.jpg CABARET PHOTOS - Props. Marlborough Productions. Photo: Kaleido Shoots, 2025. A close up of a white candle and rose used in Prince of Persia's act. Other props from the show are out of focus around these items. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979374808-CUVV0EU8XGJDXAS69TTK/DACaP050.jpg CABARET PHOTOS - Andy Kesson in the Attenborough Centre. Marlborough Productions. Photo: Kaleido Shoots, 2025. A view of the red-cushioned seats in the Attenborough Centre Theatre. Andy Kesson sits, reading. He is wearing a gold-sequined blazer over an orange shirt. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979375018-1DU3G3GI3241DNK91QFL/DACaP051.jpg CABARET PHOTOS - Cabaret Audience. Marlborough Productions. Photo: Kaleido Shoots, 2025. A view of members of the cabaret audience before the show. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979376106-QRBAH80S5BVP64IV9WHE/DACaP052.jpg CABARET PHOTOS - BSL Interpretation. Marlborough Productions. Photo: Kaleido Shoots, 2025. A video of Dre Spisto lying in bed, their head on a pillow, as they recite lines from Romeo and Juliet. They are a trans masc Latinex person with short darm hair. To the side of the stage stands a brown person with black hair. They are wearing a light denim blue short-sleeved shirt over a darker long-sleeved jumper, and light greyish-blue trousers. They are pointing to their eyes.The stage floor is scattered with flower petals and lit in red swirling lights. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979376236-QPIUNWTBJZO60YBGHXPZ/DACaP053+%281%29.jpg CABARET PHOTOS - Trans ancestors. Marlborough Productions. Photo: Kaleido Shoots, 2025. Red script projected on a black background at the beginning of Charlie Wood's act. The font is gothic-inspired red serif. It reads: 'In the ancient world trans peope were revered as mystics, shaman, and deities'. Of to the side of the stage, a BSL interpret is standing, ready to sign. They are feminine-presenting and have dark brown hair pulled back in a pony tail. They wear glasses, a black top, and reddish-brown trousers. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979377354-KJOGTIMDY65KLMA8WTOW/DACaP054.jpg CABARET PHOTOS - Charlie Wood. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie dances in her red dress and animal skull mask in front of a projection of Caravaggio's painting of Judith beheading Holofernes. To the right, a BSL interpreter signs her act. The stage is lit in red-pink light and smoke swirls around Charlie. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979378340-MI3NS846XNSZ6B7VKSBW/DACaP055.jpg CABARET PHOTOS - Charlie Wood Curtain Call. Marlborough Productions. Photo: Kaleido Shoots, 2025. Charlie stands in profile on stage in front of other members of the Diverse Alarums in Cabaret company. She is a tall white trans woman with a chin-length white-blonde fringed bob. She wears a ruffly long red dress with short puffed sleeves and high black platform boots. She is holding up the animal skull mask she made for her performance. https://images.squarespace-cdn.com/content/v1/63ed11d34f691075b854e218/1760979378783-6XL20K4KYHVMM9G3R8FZ/DACaP056.jpg CABARET PHOTOS - Diverse Alarums in Cabaret Company. Marlborough Productions. Photo: Kaleido Shoots, 2025. The Diverse Alarums in Cabaret company stand together in a line holding hands, ready to bow. 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